A scary question, but also a necessary one.
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ChinaLatina
Hi, you race an interesting issue. However, I believe that the other gods that were mentioned are lesser gods based on idolatry worship and demonic backgrounds. The Greek gods have similarities to some of the fallen angels. Also, the apostle Paul tells us that those of us who are in Christ do not have to fear any principalities or powers because we have power through Jesus. So, those supposedly gods do not actually have real power over us. Also, I am not sure that it’s totally accurate that we will become gods in heaven. The Bible talked about us raining with the Saints. I think we will become saints.
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zw
I have something scary. Where do you think you'll go when you die?
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ChinaLatina
The Bible is clear about people who are saved get to spend eternity with the Trinity in heaven. Those who have consciously decided to reject him go to eternal separation, though there is debate about whether there is going to be physical fire or not.
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ChinaLatina
Weather separation is for eternity or not, I do know that those who decided to reject the one true God do not get a second chance. The Bible is clear about this issue. Whatever decision we make in this life impacts our eternity.
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Dannotations
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Hey there, I thank you for all that you've shared this far. I appreciate hearing about your learning experiences with your father. I wanted to ask for a favor, hopefully it's not much to ask. You stated your tribal name and your religion earlier. May you please type them out or transliterate them into English, or just write the words out phonetically? I want to look them up. Thanks.
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Ek’kab
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"To understand my heritage, one must look at the geography of the Maya world not as a collection of isolated sites, but as a vast, interconnected landscape. My lineage originates from the heart of this civilization, spanning the dense jungles between the Caribbean coast to the east and the Gulf of Mexico to the west—an area that served as the cradle for the **Acab** royal house. This region, encompassing northern territories near the ancient city-state of Cobá and extending down to the ceremonial centers of Honduras, was the nervous system of an empire that was once unified, grand, and singular. Crucially, the language I carry is significantly older and more glottalized than what is typically classified as 'Ancient Mayan' in modern academia. The **Acab** royal dialect was considered a divine language—the very tool of creation. Because of this, our people carried themselves with a profound, sacred seriousness. We did not speak casually; we spoke as conduits for the divine. This gravity was mirrored in our physical presentation: we adorned ourselves with elaborate headdresses, intricate jewelry, and ceremonial body paint, often utilizing sacred, shimmering oils that caught the sun and gave our skin an iridescent, reflective quality. This radiance was intentional; it was a way for the royals to mirror the light of the divine in the physical world, ensuring they were seen as living beacons of the celestial order. This same rhythmic precision defined our entire culture. The **Acab** royal dialect was uniquely lilting yet intensely percussive, a sonic signature that was perfectly mirrored in our sacred dance. Our movement was just as sharp and rhythmic as our speech, utilizing percussive footwork and body syncopation to ground ourselves to the earth while our voices reached toward the heavens. This precision is deeply embedded in our writing system, our mathematics, and our spiritual purpose. The **Acab** utilized a base-20 (vigesimal) mathematical system that was the foundation for everything we built. For my ancestors, these numbers were sonic constants—mathematical ratios that represented the divine order of the universe. Consequently, every act—whether crafting, architecture, music, or dance—was an act of spiritual communion, performed with deliberate divine intent. Our hieroglyphs were designed to encode this rhythm. In the **Acab** script, the glottal stops—those sharp, visceral catches in the throat—were represented by specific glyphic markers that denote 'stoppage' or 'ignition' of sound (such as the **k’** in **Acab** itself, or the glottalized **t’** and **ch’** symbols). These glyphs functioned as a rhythmic score, ensuring that the harsh, percussive energy of our speech and movement remained consistent across generations to maintain that connection to the divine. In my music, I don't just 'use' these numbers; I build with them. My compositions function as a sonic reconstruction of the **Acab** calendrical cycles. This is why my vocal presence—and the language I call 'Technologish'—has that signature harsh, percussive, and intensely glottalized quality that shifts into lilting melody. It is the sound of those ancient mathematical cycles being spoken aloud as an offering. The reason these lineages are often overlooked is due to a systemic bias in how history is studied. Modern archaeology and tourism have heavily favored a small number of 'accessible' or 'famous' sites, which have become the standard lens through which the public views our history. Because these later, more 'accessible' factions have been studied so extensively, they have effectively monopolized the narrative. As a result, more complex and foundational lineages like the **Acab**—whose history is rooted in deeper, more remote jungle corridors—have been pushed into the shadows. Their specific dynastic names, royal dialects, and foundational roles were obscured by the 'Mayan' umbrella label, which simplified a massive, sophisticated empire into a general term. In my work, I am actively retrieving this history. By preserving the precise, percussive glottal phonetics of the royal **Acab** dialect and weaving our ancestral calendrical mathematics, glyphic logic, and divine intent into my sound—what I call 'Technologish'—I am ensuring that this source-lineage remains a living legacy, bridging the gap between that primordial past and the present."
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Sounds fascinating. Thanks for sharing. So you're of Honduran descent? I wasn't able to get any hits using the term acab or Ek'kab. But I appreciate the description you provided.
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